Fried Green Tomatoes and Steel Magnolias meet Dracula in this Southern-flavored supernatural thriller set in the ’90s about a women’s book club that must protect its suburban community from a mysterious and handsome stranger who turns out to be a blood-sucking fiend.
Patricia Campbell had always planned for a big life, but after giving up her career as a nurse to marry an ambitious doctor and become a mother, Patricia’s life has never felt smaller. The days are long, her kids are ungrateful, her husband is distant, and her to-do list is never really done. The one thing she has to look forward to is her book club.
But when an artistic and sensitive stranger moves into the neighbourhood, the book club’s meetings turn into speculation about the newcomer. Patricia is initially attracted to him, but when some local children go missing, she starts to suspect the newcomer is involved. She begins her own investigation. What she uncovers is far more terrifying, and soon she–and her book club–are the only people standing between the monster they’ve invited into their homes and their unsuspecting community.
If Shirley Jackson wrote The Shining, it might look like this novel from the acclaimed author of Baby Teeth: A mother must become a protector when unnatural forces threaten her family’s new and improved life in a rural farmhouse.
The Bennett family – artist parents and two precocious children – leave their familiar urban surroundings for a new home in far upstate New York. They’re an hour from the nearest city, a mile from the nearest house, and everyone has their own room for the very first time. Shaw, the father, even gets his own painting studio, now that he and his wife Orla, a retired dancer, have agreed that it’s his turn to pursue his passion.
But none of the Bennetts expect what lies waiting in the lovely woods, where secrets run dark and deep. Orla must finally find a way to communicate with – not just resist – this unknown entity that is coming to her family, calling to them from the land, in the earth, beneath the trees … and in their minds.
A riveting novel of suspense and terror from the Bram Stoker award-winning author of The Cabin at the End of the World and A Head Full of Ghosts.
When it happens, it happens quickly.
New England is locked down, a strict curfew the only way to stem the wildfire spread of a rabies-like virus. The hospitals cannot cope with the infected, as the pathogen’s ferociously quick incubation period overwhelms the state. The veneer of civilisation is breaking down as people live in fear of everyone around them. Staying inside is the only way to keep safe. But paediatrician Ramola Sherman can’t stay safe, when her friend Natalie calls – her husband is dead, she’s eight months pregnant, and she’s been bitten. She is thrust into a desperate race to bring Natalie and her unborn child to a hospital, to try and save both their lives.
Their once familiar home has becoming a violent and strange place, twisted into a barely recognisable landscape. What should have been a simple, joyous journey becomes a brutal trial.
An isolated mansion. A chillingly charismatic artistocrat. And a brave socialite drawn to expose their treacherous secrets. . . .
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find — her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
There are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
A “lush nightmare” (Paul Tremblay) of a supernatural thriller about a young woman facing down ancient forces in the depths of the bayou
Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.
But dark forces are at work in the bayou, both human and supernatural, conspiring to disrupt the rhythms of Miranda’s peculiar and precarious life. And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.
Someone, or something, is haunting the Titanic.
This is the only way to explain the series of misfortunes that have plagued the passengers of the ship from the moment they set sail: mysterious disappearances, sudden deaths. Now suspended in an eerie, unsettling twilight zone during the four days of the liner’s illustrious maiden voyage, a number of the passengers are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.
Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic’s sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near-fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not – could not – have survived the sinking of the Titanic…
Quinn Maybrook just wants to make it until graduation. She might not make it to morning.
Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.
Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.
A small-town librarian witnesses a murder at his local deli, and what had been routine sleep paralysis begins to transform into something far more disturbing. The trauma of holding a dying girl in his arms drives him out of his own body. The town he knows so well is suddenly revealed to him from a whole new perspective. Secrets are everywhere and demons fester behind closed doors.
Worst of all, he discovers a serial killer who has been preying on the area for over a century, one capable of travelling with him through his dreams.
From the author of the New York Times bestseller Wilder Girls comes a new twisty thriller about a girl whose past has always been a mystery—until she decides to return to her mother’s hometown… where history has a tendency to repeat itself.
Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.
But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.
Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there? The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.
The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.
Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind to catch up to them in a violent, vengeful way.
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